Lesson summary for children of the senior group “Journey to the Theater”


The role of theater in the life of a preschooler

Emotions, or feelings, play an important role in the lives of children. Positive emotions - pleasure, joy - increase the child’s activity, his receptivity, have a beneficial effect on the course of all physiological processes in the body, and improve health. Therefore, it is so important that a preschooler’s mood be predominant.

The main source of pleasure and joy is the active activity of the child, communication with adults and children close to him. Therefore, both at home and in a preschool educational institution, all conditions must be created to satisfy and strengthen his most natural need for a variety of activities: to look, listen, move, in the process of which comprehensive development occurs. The child becomes more and more familiar with the world around him.

Aesthetic education is essential. Impressions of early childhood remain in memory for a long time.

Theater in a child’s life is not a rare phenomenon in the modern world. It’s great if children and their parents not only go to a professional theater, but also when amateur children’s theater becomes part of the daily life of a child attending a preschool institution.

The tasks of artistic and aesthetic education of preschoolers are successfully solved in the process of introducing children to theatrical and musical culture, developing ideas about various genres of art - this is a special world where the child learns the essence of good and evil, but also becomes familiar with great art. Theater artists and teachers do a great deal of creative work with their little spectators, involving them in various theatrical performances and concerts, creating a real holiday for them.

In the hall of the theater you can see an exhibition of children's drawings, models of performances, and fairy-tale characters.

The theater combines all types of art, which makes it possible to talk with children not only about its history, but also about painting, architecture, the history of costume and decorative arts.

But the most important thing is the celebration, the emotional outburst, the delight of participating in the performance.

With a child of two or three years old you can have quite an interesting and, what is important, useful time.

It is best to start your journey into the world of fairy tales and magic with a puppet theater. The basis of the puppet theater's repertoire is a fairy tale - folk and literary, Russian and foreign. This is a real fairy-tale country, where children are treated to wonderful, childishly naive, touching and kind fairy tales - puppet shows with games, starting from the very entrance to the theater, because communication with the mysterious world of puppets requires additional preparation. The performance lasts from forty minutes to an hour.

Parents and children, grandmothers and grandchildren will laugh and cry here at the adventures of familiar and unfamiliar heroes. The repertoire of modern theaters includes the best works of literature for children. Each performance in a tactful and unobtrusive form talks about love and fidelity, tolerance and mercy, kindness and courage. And together with the heroes of the play, the preschooler seeks answers to difficult moral questions and learns to distinguish good from evil.

The child gets acquainted with the best works of Alexander Sergeevich Pushkin, Mikhail Yuryevich Lermontov, Nikolai Vasilyevich Gogol, Pyotr Pavlovich Ershov, Hans Christian Andersen, Korney Ivanovich Chukovsky, Samuil Yakovlevich Marshak.

Mysterious, magical, funny, sad and certainly kind - this is the essence and form of children's theater performances.

The main task of children's theater is to introduce children to the traditions and customs of different peoples through fairy tales and folk art and at the same time awaken their interest in reading. Through play, children can get acquainted with the theatrical and musical art of the peoples of the world.

Theater is a whole world of new words that are not used in everyday life. This is the stage, the curtain, the backstage. Acquaintance with many more amazing words and concepts awaits those who wish to look behind the scenes of the theater.

Music occupies a large place in the play; it can help young actors tune into the desired emotional mood, and to some extent compensate for the shortcomings of their performance in the audience’s perception. Music embellishes the performance, helps to create a brighter and fuller perception, creating the necessary mood.

What they see and experience in a real theater and in their amateur theatrical performances broadens the children’s horizons, creates an environment that requires the children to engage in conversation and talk about the performance to their comrades and parents. All this undoubtedly contributes to the development of speech, the ability to conduct a dialogue and convey one’s impressions.

Musicals are considered one of the most complex forms of theatrical production.

The composer not only wrote the music, but also created an orchestral soundtrack, which, of course, enriches the sound of the musical.

Musicals are developed and created taking into account children's perception, which means that children do not get tired of the music, work on their role with interest and get enormous scope for their own creativity.

Here, vocal art, theatrical acting, and plastic arts are fused together.

The immediate transition from conversation to song, from song to dance is so natural for a child. And the musical is built on this.

Such musical performances will be a great event for children, teachers, and parents.

Musical theater for children is represented by a variety of genres - ballets for children, musical comedies and musicals were created and are being created by leading composers of our time - Tikhon Khrennikov, Eduard Kolmanovsky, Alexander Tchaikovsky, Shirvani Chalaev and others: fairy tales “The Fly Tsokotukha”, “The Frog Princess”, “Thumbelina” "

Literature:

1. Mother and child. Encyclopedia for moms and dads / Comp. Ivanova I. I. Rostov n/d: 2009.

2. Media education No. 5 2005. Russian journal of history, theory and practice of media pedagogy.

3. Tsukasova L.V., Volkov L.A. Theatrical pedagogy: Principles, commandments, advice. Ed.3, add. M., 2009.

4. T. N. Karamanenko Puppet theater in kindergarten. M., 1960.

The birth of the theater

The word "theater" has Greek roots. It means some kind of spectacle, as well as a place for it. The game is the basis of theatrical art and one of its elements. Behind the earliest stages of the development of theatrical performances were sacred rituals and games of primitive people. The characters in such games were spirits - good and evil. Participants in the action used pantomime, accompanied by music and dancing.

Ancient Greece is considered to be the birthplace of theater. In the 5th century BC. e. theatrical performances became part of religious holidays. We know about mass celebrations in Athens, processions around the city with a statue of Dionysus, which were accompanied by games, songs and dances. It follows from this that the history of ancient Greek theater originated as a certain form of amateur performance for a certain number of spectators.

Then the first theater figures began to stage tragedies, and comedies appeared much later. The peculiarity of theatrical performances of that time was that the play was presented only once, so the authors tried to create interesting works. The playwright not only wrote plays and acted as an actor, but was also a director and staged music and dance parts. Even now it is clear how talented these people were. The whole world knows their names:

  • Aeschylus;
  • Sophocles;
  • Euripides;
  • Aristophanes;
  • Aristotle.

Each of them contributed to the development of theatrical art, thanks to their good education and creative abilities. Some of the works are still preserved.

Ancient theater, actors and spectators

The place where the action took place is of interest. The Greek theater was huge in size and was located in the open air. It could simultaneously accommodate up to 44 thousand people. Initially, wooden floorings were constructed for spectators; they could sit on them during the action; then they were replaced with stone ones.

Later, in the 4th century, the Greeks built their first stone theater. Only men acted as actors. Facial expressions were not used, because the actors' faces were wearing grotesque masks. The actors paid the main attention to clothing and movements.

There was an entrance fee, but it was inexpensive. It is noteworthy that some rulers granted the right to attend performances to poor city residents. Slaves often came to watch the spectacle, and prisoners were released from prison for this purpose. The audience expressed their emotions in different ways. When the performance was to their liking, they applauded and admired loudly, otherwise they stomped and shouted. Sometimes the actors were driven off the stage by throwing heavy stones at them.

Types of theaters (conversation with children of the older group about types of theater)

TYPES OF THEATER IN PRESIDENTIAL ORDER

«Theater is a magical world

in which the child rejoices while playing,

and while playing, he learns about his surroundings..."

O.P. Radynova

Finger and mitten theater

These are dolls made of fabric, glued from paper or knitted from wool and thread. The pattern follows the contour of an outstretched finger of an adult or child or the contour of the palm. The doll should fit freely on any finger or hand of the puppeteer. The character's face can be embroidered, glued or sewn on using buttons, beads, threads, ropes, pieces of wool, colored paper, fabric. Children play behind a screen or in direct contact. For a finger theater, together with your child, you can draw or glue any character from a fairy tale from colored paper, then stick it on thin cardboard, and sew or glue a wide elastic band on the back side, put it on your finger and play. For the mitten theater, you can use unnecessary children's mittens. Each child involved in the performance works with only one doll. Children find intonations and movements of a particular character on their own or with the help of an adult. The performance is well accompanied by music or songs that children know.

Mitten dolls

Puppets for this theater can be made from sewn or knitted mittens, but mitten dolls made of paper are of particular interest to children. Children place the pattern on paper, trace it, carefully cut it out and glue it together. Then the mitten dolls are decorated with paints, felt-tip pens, appliqué, etc. You can even make part of the decorations on such mittens, for example, trees, bushes and much more.

Bi-ba-bo puppet theater (or "Petrushki" theater)

The Petrushki Theater is a theater whose puppets are worn on three full fingers of the hand - like a glove. In Italy, these dolls used to be called burattini, now they are called pupattza. In Russia, this puppet character was named Petrushka. Petrushka traveled from fair to fair for a long time, until in 1924 he finally found his home in St. Petersburg. And it was then that a permanent puppet theater for children was organized. These dolls can be purchased at children's stores or made by yourself. The simplest doll consists of a shirt body, a head and arms. The body-shirt is cut from fabric according to the puppeteer's hand. The head can be made of different materials: wood, bread, plasticine, a plastic ball, but usually papier-mâché. Or you can use old dolls or rubber toys that you may be planning to throw away. If you take the head of a rubber doll and sew a new costume onto it (so that a child’s hand fits through it), then the doll will come to life, and it can be used in theatrical performances.

The doll is put on like this: on the index finger - the head, and on the thumb and middle finger - the arms or paws. The stage of the parsley theater is a screen. The scenery is placed on it, and the action takes place. Behind the screen there are puppeteers who control the puppets and speak for them.

Puppet theater brings children a lot of joy and pleasure, creates a good mood in them and is vividly reflected in their creative games.

Tabletop theater, toy theater

These are flat or ordinary toys that children play with every day. Stage area - children's table. You can make a character for a tabletop theater yourself from any available material: pine cones, acorns, roots; from household materials: milk and kefir bags, shoe boxes. If you take old skittles and cut off the bottom, and then trim or tie them, you will get a tabletop theater puppet. To decorate the doll, buttons, beads, wool, fabric, specially tied ears, noses, eyes, hair, paws and tails are used….

These dolls can be put on your hand, on a gapit, or on a thread.

The teacher sits at the children's table, and the children sit in a semicircle in front of him. Children should not see the toys that the teacher will use to show the performance. The teacher, without masking his hands, takes toys in front of the children, moves them and speaks for them.

Such a performance of toys, despite its great simplicity and primitiveness, is not devoid of theatricality; Both toddlers and older children watch it with great interest.

For the performance, it is recommended to take scenes specially written for showing them with toys: “Matryoshka and Katya”, “Game of Hide and Seek”, “Adventures of Toys” and others. You can come up with similar scenes for the puppet theater yourself or use individual plots from children's literature. You just need to remember that their content should be extremely simple, without difficult, impossible actions and movements for toys. The toy show is designed for a small group of children. It is shown not in the hall at the holiday, but in the group room. The purpose of such displays is to entertain and please children, to make the doll more interesting for them, and to help them add variety to their play activities.

Shadow theater

Shadow theater is a joyful and welcome entertainment. Children love to watch how figures of people, animals and birds move on a brightly lit screen.

A fairy tale, story, poem, song can be accompanied by showing shadows. Expressive performance of musical and literary works, when skillfully demonstrated, evokes a wide variety of emotions in children.

The stage of the shadow theater is the screen. The screen frame of the shadow theater is made of wood or thick cardboard and decorated with ornaments. The screen is covered with thin white material. When shown, the shadow theater figures are pressed tightly against the material on the back of the screen. A light source is placed behind the screen. The silhouettes of the figures are made of thin cardboard and painted black on one side. Some parts of the silhouettes (arm, leg, head, etc.) can be made movable (attached with thread or wire). Pulling the string sets the figurine in motion: the arm, head, etc. are lowered or raised.

When showing silhouettes, the puppeteer's hand should not be visible. Therefore, each figurine must have an additional part by which this figurine is held. Many interesting fairy tales and other literary works loved by children can be shown in the shadow theater.

Theater on flannelgraph

Children listen and watch the illustrative display with flannelgraph with great interest. They are amazed by the unusualness of the spectacle: the pictures do not fall, they stay on the board like magic. Older children immediately begin to become interested in the technique of making pictures and the flannelgraph itself. Children are even more surprised when the teacher tells them that they themselves can show such a picture theater to the kids. Children enthusiastically begin to prepare for the upcoming performance. For illustrative display with flannelograph by older children, we can recommend the following literary works: “Toys” by A. Barto, “Toys” by A. Akhundova, “What is good and what is bad?” V. Mayakovsky, “Merry Count” by S. Marshak, “They Gave You Nothing” by N. Naydenova, “Tanya Got Lost” by Z. Alexandrova, “Once Upon a Time There Lived a Baby Elephant” by G. Tsyferov, “Ladder” by E. Shabal.

Children should know these works by heart. Each work can be told and shown by several children at once.

For this type of theater you will need a piece of plywood covered with soft flannel (preferably in two layers) - this is the screen. You can draw pictures for display yourself (these are plots or characters from fairy tales, stories), or you can cut them out of old books that can no longer be restored. They are glued onto thin cardboard, and flannel is also glued to the back side.

These pictures can be laid out and moved on the table, and if you attach a stick (gapit) to the figure, you can perform a performance using the edge of the table as a screen. Another option is also possible: a thread is attached to the top of the picture (in this case the picture is drawn on both sides) and the picture is moved near the surface of the floor, table….

Role-playing theater

This is a theater where children take on the role of a chosen character. Children, with the help of an adult or independently, act out poems, riddles, short fairy tales, and stage songs.

For better visibility, children need costumes. You can buy them in a store or sew them yourself. In kindergarten, in each group or at home, it is advisable to have a costume room, where costumes are sewn by the hands of parents and children. If you don’t know how to sew, then together with your children make masks of various characters, decorations and props.

Masque

Masks - caps - are made according to the size of the performer's head. These can be knitted hats or characters drawn on cardboard, which are attached with an elastic band around the head.

Origami Theater

These are paper figurines of fairy-tale characters.

Stomper Theater

It’s quite easy to make characters for the stomper theater from old gloves, cutting off everything unnecessary and leaving only two fingers. You can make a pattern of characters and sew them from knitwear. It is better to draw the head on cardboard, then sew it to the figure or glue it, after which the remaining details of the character are sewn on.

Theater on sticks

To make this theater you will need sticks and character silhouettes made from cardboard. The secret of the toys is that each silhouette is attached to a stick and the character is activated by turning it. Theater on a stick is interesting for children not only because it is very easy to make, but also because the actions can be depicted behind a screen or while moving freely around the room.

Literature.

1. Yulia Alekseevna Kudimova “Theatrical activities of preschool educational institutions” Published 11/06/2015 maam.ru/detskijsad/prezentacija

2. Olga Vladimirovna Khryukina article “Types of theaters in preschool educational institutions” Published on November 24, 2015. pedportal.net/po-tipu-materiala

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